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Side view of a colorful toy boat made from wood, paper, metal and paint with the name “Columbia” on the side in red.

“Columbia” Toy Boat

Angled top view of a stone construction kit called “Richter’s Anchor Blocks” in a wooden box with an image of a house.

Richter’s Anchor Blocks

Side view of an Eames EC121 Adjustable Stool Swivel with 1730 Arm Shell, an aluminum base, casters, and steel column.

EC121 Adjustable Stool Swivel with 1730 Arm Shell

Front view of an abstract oil painting with many colorful shapes in various sizes by Ray Eames.

Untitled, 1935–1936

The Eames House Anniversary Table with a gold leaf top and wood-dowel-and-steel-rod base.

Eames House Anniversary Table

Ray Eames fashion drawing of a patterned black dress with pleats and a bow at the waist.

Fashion Drawing: Black Pleated Day Dress

A plaque outlined with teal, tan, pink, and orange stripes designed by the Eameses for the 1964 New York World's Fair.

Plaque from 1964 New York World’s Fair

Top down view of an Eames Aluminum Group seat cover prototype in black naugahyde with several heat-sealed horizontal grooves.

Seat Cover Prototype

Front view of an Eames 626NS-1 medium height drafting chair upholstered in black naugahyde with a steel base.

626NS-1 Drafting Chair

Black fiberglass and Naugahyde prototype for the shell of the Eames Secretarial Chair, designed by Ray and Charles Eames.

PSCA-36 Secretarial Adjustable Side Shell Prototype

Side view of an Eames Aluminum Group anodized aluminum armrest shaped as an uneven trapezoid with rounded corners.

Cast Armrest 2

Front view of a stackable Eames Child’s Chair in birch plywood with a heart cutout in the chair back.

Child’s Chair

Eames Aluminum Group spreader wood prototype which has a squared off curve and distinct flared bends on either side.

Carved Spreader 3

Poster for the Galerie Maeght exhibition in 1953 features illustrations of turreted buildings by artist Saul Steinberg.

Steinberg Galerie Maeght Poster (1953)

Postcard for the Evans Products Co. which manufactured the Eameses’ designs until 1948 when they switched to Herman Miller.

“Compliments of Evans Products Co.” Postcard

Front view of a prototype of the Eames Soft Pad Armchair on a Drafting Chair Base with casters and tan upholstery.

Eames Soft Pad Armchair on Drafting Chair Base Prototype

Angled front view of the Eames wooden mold prototype of the thre point Lounge Chair spider or base.

Prototype Lounge Chair Spider Casting Mold

Colorful still life oil painting from Ray’s years studying at the Hans Hofmann School of Fine Arts in New York City.

Untitled, 1934–1935

Front view of an Eames LKR-1 Naugahyde Upholstered Wire Chair.

LKR-1 Upholstered Wire Chair

Ink study of biomorphic shapes for the Plyformed Wood Company logo designed by Ray Eames.

Study for Plyformed Wood Company Logo

ES106 Eames Chaise

Black and white photomontage of Lucia Eames by Swiss-born photographer and graphic designer Herbert Matter.

Lucia Eames Photomontage

Spreader for the Eames Aluminum Group chairs in unpolished Anodized aluminum which is dull and has a rough looking surface.

Cast Spreader 3

Underside view of a silver coated Eames LTR table. These tables were used as side tables, children’s play tables, or stools.

Unique Silver LTR (Strut Table)

Top down view of a vintage board game with a circus theme, detailed illustrations of horses, and horse-shaped game pieces.

Le Cirque Board Game

Front view of an Eames EC176 Loose Cushion Armchair upholstered in brown Naugahyde and Milnilo textile.

EC176 Loose Cushion Armchair (Glides)

Wooden Japanese top with painted concentric circles that was collected by the Eameses.

Japanese Top

ES101 Intermediate Chair

A fake diploma created by artist Saul Steinberg for Charles Eames with a blank orange seal and calligraphy that is illegible.

Diploma for Charles Eames

Top down underside view of the Eames DTM-20 Square Folding Dining Table with a Micarta and plywood top and steel legs.

DTM-20 (Dining Table Metal)

Side view of the EC428 Operational Stool with fiberglass seat upholstered in black leather and metal base with casters.

EC428 Operational Stool

Front view of an upholstered Eames EC178 Office Seating Prototype with an aluminum base, casters, and steel column.

EC178 Office Seating Prototype

Front view of the Eames stackable DSS SIde Shell chair made of fiberglass with a metal base.

DSS Stacking Side Chair

Eames Cafe Table with two small round white plastic tops and aluminum base. The design was intended for use in bistros.

Café Table

Angled front view of the EA219 Tilt-Swivel Reclining Lounge Chair with casters, black leather upholstery, and a steel base.

EA422 Tilt-Swivel Reclining Lounge Chair (with Casters)

Herman Miller postcard featuring 4 Eames chairs, DAX-1, PSC-1 side chair, LCM molded plywood chair, and a fiberglass DSR.

“Chairs Designed by Charles Eames” Postcard

Ray Eames illustration of a blue tea pot and mug with the message, “The Best Tree Tea”.

“The Best Tree Tea” Illustration

Side view of a birch airplane rudder designed by Ray and Charles Eames that measures almost seven feet tall.

Airplane Rudder Skin

Front view of an Eames Fiberglass shell in the color “Parchment”.

Fiberglass Side Shell

Ink drawing by Ray Eames for a sculpture using the contours of the leg splint pattern.

Study for Leg Splint Sculpture

St. Louis Post-Dispatch full-page article describing Charles’s travels to Mexico, and watercolors he made during the trip.

“A St. Louisan’s Mexican Diary⁠—in Water Colors”, St. Louis Post-Dispatch, July 29, 1934

Diamond and checkerboard patterned Eames House of Cards mockups in black and white, and one diamond card with many colors.

House of Cards Mock-up Process (Diamond Cards)

ES108 Eames Sofa

Front view of an Eames DKR-1 “C” upholstered wire chair with a steel rod base and featuring worn Girard harlequin textile.

DKR-1 “C” Upholstered Wire Chair

Front view of the 50th anniversary Eames Lounge Chair featuring Santos palisander veneer and grey leather.

670 Lounge Chair

Front view of the Eames RKR-1 rocking chair upholstered with yellow fabric designed by Alexander Girard for Herman Miller.

RKR-1 Upholstered Rocking Chair

Front view of a 1950 Flair magazine cover with a green background, stylized typography, and art by Federico Pallavicini.

“The City,” Flair Magazine

American Abstract Artists catalog which provides a list of the exhibitions organized by the group since their establishment.

American Abstract Artists Exhibition Catalog, 1939

Front view of an Eames Fiberglass Side Shell in Seal Brown.

Fiberglass Side Shell

Front view of an Eames Fiberglass Side Shell color test sample in yellow dark.

Fiberglass Side Shell

Front angled view of the Eames 413 stool made from solid walnut with geometric shapes cut into the columnar shape.

Walnut Stool, 413

April 1950 Vogue magazine cover with a model in a black dress. The issue featured a story with a drawing by Saul Steinberg.

“The Unembarrassed Mind,” Vogue Magazine

St. Louis Dispatch newsclip announcing Charles Eames as the winner of an annual competition held by the local artists’ guild.

St. Louis Post-Dispatch Clippings

Side view of a white papier-mache horse head mask that is painted white and brown.

White Horse Mask

Side view of a painted Swiss wood and brass top in green that Ray and Charles Eames collected.

Swiss Top

Front on view of a Fiberglass Eames DSS-1 Side Shell upholstered in black Naugahyde with a metal base.

DSS-1 Stacking Side Chair

Front view of a yellow Eames Fiberglass Side Shell.

Fiberglass Side Shell

Front view of a stylized drawing of a nude woman by artist Saul Steinberg on an Eames fiberglass armchair with a metal base.

Fiberglass Armchair with Steinberg Nude

Front view of the 1948 Eames designed molded birch plywood airplane seat prototype that was never manufactured.

Airplane Pilot’s Seat

Top down view of the underside of the Eames round molded plywood coffee table, CTM, with metal legs.

CTM (Coffee Table Metal)

About the Eames Collection

The Eames Collection contains more than 40,000 objects spanning the expansive creative practice of Ray and Charles Eames. Drawn largely from the Eames Office at 901 Washington Boulevard in Venice, California, the holdings⁠—which the Eames family asked the Institute to safeguard⁠—include one-of-a-kind design prototype parts and pieces, early examples of their iconic furniture, extensive photographs, correspondence, tools, ephemera, and personal artifacts collected over decades of experimentation, travel, and collaboration. Together, these materials provide the world’s most intimate view into the Eameses’ work, which shaped, and continue to shape, modern design across furniture, architecture, exhibition design, film, and visual communications.

The Collection exists today because Lucia Eames as the owner and Llisa Demetrios as registrar spent decades caring for and archiving the materials that remained outside institutional archives. Believing Ray and Charles’s iterative process to be as important as their finished work, incredible care has been put into accounting for virtually every piece of material at the closure of the Eames Office in Venice, California. Today, the Eames Institute stewards the Collection through ongoing cataloging, preservation, research, and public engagement, ensuring that this remarkable archive is accessible to current and future generations at the Eames Archives, Eames Ranch, and the Institute’s forthcoming museum, as well as through loans to peer institutions.

All Exhibitions