The Last Decade of Eames Furniture
In their final years of furniture design, the Eameses reimagined earlier works using new materials and technology to meet the evolving needs of modern workplaces.
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Eames
Institute
685 Ottoman
Child’s Chair
Cast Armrest 1
Occasional Table Prototype
“Compliments of Evans Products Co.” Postcard
Nut Tree Plaza Postcard
“Chairs by Charles Eames” Postcard
City Palace Jaipur Postcard
Museum of Science and Industry, Chicago, Illinois Postcard
DSR Fiberglass Side Shell Chair
Western Dining at the Nut Tree (Variant 2) Postcard
“Alarm” Toy Boat
Fashion Drawing: Blue and Red Dress with Green Bolero Jacket
Untitled, 1938
“Chairs Designed by Charles Eames” Postcard
“Giant Egg” Postcard
“Sole Concessionaires” Postcard
Western Dining at the Nut Tree (Variant 3) Postcard
An Exhibition for Modern Living Catalog
Black Bird Kite
EA422 Tilt-Swivel Reclining Lounge Chair (with Casters)
“The Sofa by Charles Eames” Postcard
Swiss Top
Family Seating Fiberglass Shell Prototype
PSCA-36 Secretarial Adjustable Side Shell Prototype
Handmade Fiberglass Study for Side Shell
Molded Plywood Table with Tubular Aluminum Base
“This is Bett’s” Postcard
Lucia’s Lunch Box
Untitled, 1935–1936
Fiberglass Side Shell
ES106 Eames Chaise
“Christmas Greetings from the Chomeaux” Christmas Card
Fiberglass Side Shell
EC328 Secretarial Chair (Fabric)
Fiberglass Side Shell
Small Leg Splint Sculpture
Minimum Chair Prototype
Fiberglass Side Shell
Photograph of Steinberg Drawing Projected onto Hedda Sterne with Hands in Lap
Butterfly Kite
Ravana Shadow Puppet
Photograph of Young Lucia and Charles
Paper Doll Set: Young Girl with Nine Outfits
Art in Progress: Fifteenth Anniversary Exhibition Catalog
Fiberglass Side Shell
Study for Leg Splint Sculpture
Chutes & Ladders/Red Riding Hood Game
Paper Template for Plywood Sculpture
American Abstract Artists Exhibition Catalog, 1938
MKX-1 Upholstered Wire Chair
Cast Side Rail 1
American Abstract Artists Exhibition Catalog, 1939
“Sea Things” Tray
EA 323 Ottoman
DSS Stacking Side Chair
Paper Doll Set: A Woman with Four Dresses
Molded Plywood Elephant
Upholstered Wire Chair Prototype
The Eames Collection contains more than 40,000 objects spanning the expansive creative practice of Ray and Charles Eames. Drawn largely from the Eames Office at 901 Washington Boulevard in Venice, California, the holdings—which the Eames family asked the Institute to safeguard—include one-of-a-kind design prototype parts and pieces, early examples of their iconic furniture, extensive photographs, correspondence, tools, ephemera, and personal artifacts collected over decades of experimentation, travel, and collaboration. Together, these materials provide the world’s most intimate view into the Eameses’ work, which shaped, and continue to shape, modern design across furniture, architecture, exhibition design, film, and visual communications.
The Collection exists today because Lucia Eames as the owner and Llisa Demetrios as registrar spent decades caring for and archiving the materials that remained outside institutional archives. Believing Ray and Charles’s iterative process to be as important as their finished work, incredible care has been put into accounting for virtually every piece of material at the closure of the Eames Office in Venice, California. Today, the Eames Institute stewards the Collection through ongoing cataloging, preservation, research, and public engagement, ensuring that this remarkable archive is accessible to current and future generations at the Eames Archives, Eames Ranch, and the Institute’s forthcoming museum, as well as through loans to peer institutions.
In their final years of furniture design, the Eameses reimagined earlier works using new materials and technology to meet the evolving needs of modern workplaces.
The Eameses’ eclectic collection of toys goes beyond fun and games, it also offers a window into the couple’s singular approach to design.
In the summer of 1950, the artist Saul Steinberg spent a day at play within the Office of Charles and Ray Eames resulting in an iconic collaboration.
Eames chairs have always stolen the spotlight, but an adjacent thirty-year legacy of table designs demonstrates the designers’ same thoughtful approach to problem-solving.
From scraps and scribbles to maquettes and models, the Eames Collection contains countless examples that illustrate Ray Eames’s unique working methods and iconic collaborations.
The Eames Aluminum Group originated as outdoor furniture for a specific architectural commission, but has subsequently become one of the most recognizable and successful Eames designs.
From promotional tools created by the Eameses, to communication devices from a bygone era, postcards offer a unique window into Ray and Charles’s world.
The Eameses’ quest to create a comfortable and affordable shell chair from a single material led to two iconic designs—and limitless permutations.
As World War II raged overseas, Ray and Charles turned their practice toward the war effort, and in the process learned lessons that set the stage for a life in design.
By the time Ray Kaiser met Charles Eames in 1940 each had led remarkable lives marked by restless curiosity and creative pursuits.